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The recipe for 'new' American music

Whether it is through the story, the text, the music, or a combination of both, American opera has become more accessible in the last...

You can travel (but you can’t hide)

As I sit in the Dublin airport on the way back home to New York, the writing of this post marks the end of my Ireland adventures, which I...

Vowels and timbre

As I've been working with some singers who are at the beginning of their development as well as those at the beginning their professional...

"Oh no, not again!"

Anyone who travels often inevitably collects a compendium of experiences or tales to dazzle and amaze their friends and colleagues. Many...

Getting a Handle on Handel: Why I chose A=440

As we close the first Baroque opera I have conducted, a few thoughts come to mind: 1.) I need to work on an opera at Baroque pitch and...

It's Not Magic (except it is): A Vague Introductory Blog Entry

After performances, I always encounter audience members who inevitably possess varying levels of concert- or opera-going experience. ...